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Premiere
BRUME DE MER

Choreographer, poems: Elina Pirinen
Dancers: Karolina Ginman, Suvi Kemppainen, Leena Nordberg, Elina Pirinen, Aino Voutilainen
Sonata composition and sound design: Ville Kabrell
Lighting and spatial design: Mateus Manninen
Costumes, dramaturge, poems: Heidi Väätänen
Costume design consultant, seamstress: Kaisa Kemikoski

Each artist of the group has been cross-influencing all of the creative materials in the piece.

Production: Zodiak – Center for New Dance, Moving in November, Elina Pirinen
Co-production: MDT Stockholm
Residencies: O Espaço do Tempo (Montemor-o-Novo), ZIL Culture Center (Moscow), Hellerau (Dresden)
World premiere: 29.08.2018, MDT Stockholm
Photo: Katri Naukkarinen

The performance takes place in the frame of the project [DNA] Departures and Arrivals which is co-funded by the Creative Europe Programme of the EU.

Pre-talk on 14.11. at 18:15–18:45
Post-performance discussion on 15.11.

Tickets: 27,50/20,50/16,50 €
Performances on Nov 7–11 are a part of Moving in November Festival.
Zodiak’s season ticket is not valid for these three performances.

ZODIAK STAGE

Wed 7.11. 20:00 Premiere
Fri 9.11. 20:00
Sat 10.11. 15:00
Wed 14.11. 19:00
Thu 15.11. 19:00
Sat 17.11. 19:00
Sun 18.11. 15:00
Tue 20.11. 19:00
Wed 21.11. 19:00
Thu 22.11. 19:00

Elina Pirinen: Brume de Mer

”Soils and trees with no snails and leaves
Snails and leaves with no past dreams  

Shores, Meadows, Mountains, Flood.
Spleens, Lungs, Livers, Glow.”

Brume de Mer is a corporal and vocal sonata painted by Elina Pirinen and her workgroup. It consists of the sheer volume produced by the combined abstraction of psycho-neurologically rich ring dance, lyrical field sung with peculiar beauty, scents, intoxicating colors and organ music that accumulates in the soul.

Brume de Mer fumbles for, deforms and reforms ancient and new expressions for desire, obsession, mutism, killing and intuition in an extremely physical way. The body comes out from the body and shares its power with you.

The sonant stage consist of a tremendous original organ composition made by Ville Kabrell, which has eaten alive the original idea of using Sonata no. 2 for Organ by Russian modernist composer Viktor Suslin.

The performance is a self-standing instalment of Pirinen's series of works based on Russian compositions. For the artists of the workgroup, Brume de Mer is a delightful and novel comeback.